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Exhibitions
Felix Gonzalez-Torres
Collecteurs Exhibition

Félix

Collecteurs – The Museum of Private Collections
Felix Gonzalez-Torres Family Archive

Website: collecteurs.com / Instagram: @collecteurs  @felixgonzaleztorresarchive  #felixexhibition

November 26, 2020 – ∞

Courtesy the Felix Gonzalez-Torres Family Archive. All materials created by Felix Gonzalez-Torres in this video are: © Estate of Felix Gonzalez-Torres / Reproduction facilitated by The Felix Gonzalez-Torres Foundation.

Collecteurs and the Felix Gonzalez-Torres Family Archive proudly present Félix.

Drawing from pivotal and never-before-seen works and material from the Felix Gonzalez-Torres Family Archive, this digital exhibition takes place on Collecteurs’ website and social media. A conversation with Felix’s sister, Gloria Gonzalez-Torres, is presented to provide unique insight into Felix’s early environment. You’ll also find essays addressing the constructs of private versus public, one of the topics most relevant to the artist’s multidimensional practice.

The exhibition coincides with Felix’s birthday, November 26, and will unfold over the course of two weeks, with new content made available on Collecteurs’ website throughout the exhibition and shared with millions worldwide.

In keeping with the late artist’s focus on generosity, the digital exhibition also kicks off two social campaigns: First, Instagram users are invited to capture images of the sky, geotag them, then tag @collecteurs and @felixgonzaleztorresarchive along with #felixexhibition to be featured in Collecteurs’ Instagram Stories. The second social campaign encourages people to sign up via the Collecteurs website to receive a postcard featuring one of Felix’s photos from the Felix Gonzalez-Torres Family Archive.

Felix once said, “[My work] is all my personal history, all that stuff… gender and sexual preference… I can’t separate my art from my life.” In striking this intimate note, then, the exhibition’s aim is not to limit our perception of Gonzalez-Torres and his work, but rather to ground it in reality. The goal is to begin with the artist’s own story about his origins. It is also to emphasize what is really at issue here: the importance of family in the preservation of an artist’s legacy, and the context such archival material can lend to an artist’s life and work.

“Much of Gonzalez-Torres’s art questions what we mean when we describe things as ‘private’ or as ‘public,’” wrote Anne Umland in her 1992 essay for MoMA Projects. Indeed, the exhibition focuses not on the private revelations—of personal history and sexual preference—but on what happens to such revelations when they are placed in a public context.

Félix (2020) is a self-reflexive exhibition that exposes traces of his life, the memories of his family, and the death of his partner Ross Laycock—using the archival format to mirror his artistic process of generosity by offering information and documents in digital form. This exhibition is necessary because his life and work are inextricable from each other, and the traces he left behind perform an extension of each project. If Gonzalez-Torres uses his own personal archive as source material for his works, this exhibition proposes a deeper understanding of his biography as a method of approaching his original intention.

The exhibition is hosted in the digital realm, in keeping with Collecteurs’ mission of giving the public access to previously unseen artworks. We believe this emphasis on keeping art in the eyes of the public, having as many people experience it as possible, is also very much in line with what Felix Gonzalez-Torres sought to do through his work as an artist.

Félix is made possible by the contributions of Natalia Grabowska, Assistant Curator at Serpentine Galleries; Pietro Rigolo, Assistant Curator of Modern and Contemporary Collections at The Getty Research Institute; and independent curator, Àngels Miralda.

“The Felix Gonzalez-Torres Family Archive is honored to present Félix alongside Collecteurs, whose mission emphasizes the importance of sharing and democratization of art by increasing access to artworks and materials otherwise stored or archived, and therefore aligns with our very own. We hope this project highlights the crucial role of families in preserving and contextualizing an artist’s legacy and encourages other families to bring to light unique insight, thus widening our understanding of more artists and their legacies.”

Mario M. Gonzalez

Director, Felix Gonzalez-Torres Family Archive

About Collecteurs

Developed at the New Museum’s cultural incubator, Collecteurs is a public-benefit corporation on a mission to give the public access to private art collections. As a digital museum, the platform empowers collectors, making it easy for them to digitize, manage, and exhibit their collections without needing the capital to open a private museum.

About the Felix Gonzalez-Torres Family Archive

The Felix Gonzalez-Torres Family Archive was established in 2020 in order to enhance the artistic and personal legacy of Felix Gonzalez-Torres. The Archive supports curators, writers, researchers, and institutions by facilitating access to the family’s archive. The Archive serves as the official resource for research regarding Felix’s personal life.

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For licensing inquiries, please contact the Felix Gonzalez-Torres Foundation. For questions and materials regarding the artist’s personal history, please contact the Felix Gonzalez-Torres Family Archive.
Old photo of an Iberian plane on a runway
Félix - Interview: A Conversation with Gloria González-Torres

In the first installment of our digital exhibition Félix, Collecteurs speaks with Félix González-Torres’s older sister, Gloria González-Torres, about the artist’s early days. Reminiscing about a childhood spent exploring mischief and creativity, Gloria also shares intimate details of what it was like for her and young Félix to leave post-revolution Cuba and travel to Spain in 1970.

"His laughter, though in my memory, I recall his laughter as an adult. I remember his mischievous face as a child, mischief and risk always accompanied him. From a young age he valued friendship, a quality that Félix always kept."
two little kids standing on a bridge

Selections from the Archive, 60. Courtesy the Felix Gonzalez-Torres Family Archive. image left: Selections from the Archive, 70. Courtesy the Felix Gonzalez-Torres Family Archive. 

image left: Selections from the Archive, 70. Courtesy the Felix Gonzalez-Torres Family Archive. 

Read the Interview
Photograph of LGBTQ protesters marching on an avenue holding signs

Felix Gonzalez-Torres, Selections From the Archive, 90.

Félix-Essay. "Félix's Archive of Dispersal" by Àngels Miralda

Àngels Miralda explores how Félix González-Torres masterfully fused the private and the public by using his personal archive to take on societal issues such as censorship in works that form what could be called a “queer cartographic archive.”

“Felix’s life was a great work of art in which he lived by the tenets of generosity and seeking out the truth. The archive is a collection of the paper trail which the body sheds and stands in parallel with his productive work.”
Félix Gonzalez-Torres sweeping the candies on the floor from his Untitled piece

Selections from the Archive, 90. Courtesy Felix Gonzalez-Torres Family Archive. Felix Gonzalez-Torres / “Untitled” (Welcome Back Heroes),1991. Bazooka Bubble Gum, endless supply. Overall dimensions vary with installation. Ideal weight: 200 kg (440 lb.) © Estate of Felix Gonzalez-Torres / Reproduction facilitated by The Felix Gonzalez-Torres Foundation

image left: Selections from the Archive, 90. Courtesy Felix Gonzalez-Torres Family Archive. Snapshot taken by Felix Gonzalez-Torres © Estate of Felix Gonzalez-Torres / Reproduction facilitated by The Felix Gonzalez-Torres Foundation

Read "Félix's Archive of Dispersal"
A letter written in Spanish to Mario, Felix Gonzalez-Torres's brother.
Félix - Letter. Mario by Félix González-Torres

Félix González-Torres’ heartfelt account of bidding farewell to his older brother Mario as Félix and his sister Gloria flew to Madrid in January 1970, written nine years after the brothers had last seen one another.

“Brother, after not seeing you for more than nine years, now there are thousands of things I would like to tell you about and tell you the truth, about moments that I lived or I only existed, about joys and regrets… But it is strange, it would be difficult for me: I would still see that hero boy, that fifteen-year-old heart boy, who said goodbye to me long ago, a long and slow goodbye, slow and yet endless.”
Felix Gonzalez-Torres family photo

Félix’s parents, Emilio and Mayda along with his siblings (from left to right), Gloria, Mario, Mayda, and young Félix in 1963. Selections from the Archive, 60. Courtesy Felix Gonzalez-Torres Family Archive.

Read "Mario" by Félix González-Torres
Félix as a child, at the beach with his brother and their mother.
Félix - Essay. "Water, Sky and Where They Meet" by Pietro Rigolo

Pietro Rigolo surveys Félix’s body of work in search of themes embedded in his art—like the serenity of the color blue and the artist’s preoccupation with poet Rainer Maria Rilke’s concept of “blood memory.”

“For González-Torres, it was not enough to be embraced as a Latino artist, or as a gay artist, and to be part of the cohort of diverse, identity-driven art celebrated by some forward-looking institutions, yet kept at the fringes of the critical discourse and of the market. Félix wanted to be in the middle of it all, while embracing all of his contradictions and complexities: gay and Latino, yet not necessarily loud and colorful; conceptual, yet not constipated.”
Félix González-Torres as a child, swimming in the sea.

Selections from the Archive (Beach), 70. Félix at the beach in Puerto Rico, May 1970. Courtesy the Felix Gonzalez-Torres Family Archive.

image left: Selections from the Archive, 60. Félix’s mother, Mayda, his baby sister, Mayda, and young Félix at the beach in Cuba. Courtesy the Felix Gonzalez-Torres Family Archive.


Read "Water, Sky and Where They Meet"
Félix González-Torres' Siamese cat with its babies.
Félix - Essay. "Tender Hours" by Natalia Grabowska

Take a peek at some of Félix González-Torres’s most cherished moments of privacy as Natalia Grabowska delves into the sense of tenderness evoked by the artist’s candid snapshots.

“What is most captivating about these snapshots is the sense of tenderness they evoke, which is perhaps what Felix wanted to share with his friends and family. Looking at these images seems like being in the same space, not through the factual information that they give us, but through the calm, emotional resonance and almost-tactile quality they have.”
A black cat on a bed curling towards a small doll

Selections from the Archive, 90. Courtesy the Felix Gonzalez-Torres Family Archive. Snapshot taken by Felix Gonzalez-Torres. © Estate of Felix Gonzalez-Torres / Reproduction facilitated by The Felix Gonzalez-Torres Foundation.

Read "Tender Hours"
Two lightbulbs attached to a wall. Their chords hang from where they're attached
Félix - Essay. On Hosting Félix.
“All art and all cultural production is political.” – Félix González-Torres

Félix González-Torres was best known for having created works that explore the fine line between what is “private” and what is “public”—works that often tackle social issues within a subtle, rather conceptual framework of objects, drawings, and photographs. He was adamant about channeling his private passions—for his partner Ross, for social issues affecting his milieu, even for household cats—to communicate a larger, more pervasive message of unity and wholeness for the public. Although a large part of his artistic archive has been available to the masses for some time, there were equally compelling, never-before-seen snapshots from Félix’s childhood and adolescence in the González-Torres Family’s archives.

We are proud to have collaborated with the Felix Gonzalez-Torres Family Archive to host this exhibition on Collecteurs, as we believe these snapshots provide glimpses into Félix’s early preoccupations that would go on to inform and inspire some of his most memorable works. 

“Collecteurs was the right platform for this exhibition because they believe in the importance of making public all of Félix’s oeuvre—not just the bits used to control the narrative around his art.”

Mario M. Gonzalez Director, Felix Gonzalez-Torres Family Archive

We also wanted to highlight and celebrate the crucial role a family archive plays in preserving an artist’s legacy—again, our aim was to lay bare the artist’s full legacy, without whitewashing or glossing over parts of his identity that were essential for creating the way he did, parts of his life that continue to provide much-needed context for his works, decades later.

Indeed, decades later, we still admire Félix’s boldness in managing to infiltrate institutions, as both an immigrant and a gay man, during the time he was alive—a time that was marred by prevailingly oppressive attitudes regarding homosexuality and the AIDS crisis, the latter often mentioned in barely audible whispers outside of the LGBTQ+ community. It was only after Félix infiltrated the institution that the public was able to glean the underlying messages in his works.

Given how perfectly Félix’s focus on making his art accessible to the public ties into our mission of doing the same for private collections, we welcomed the public to contribute to the exhibition by participating in a social campaign where they could capture an image of the sky, post it to Instagram with a geotag, and share it with the world using the tags #felixexhibition, @collecteurs, and @felixgonzaleztorresfamilyarchive. Check out our GIF featuring some of the images you all shared!

image left: Felix Gonzalez-Torres Untitled (March 5th) #2, 1991. Courtesy the Felix Gonzalez-Torres Family Archive. © Estate of Felix Gonzalez-Torres / Reproduction facilitated by The Felix Gonzalez-Torres Foundation

Quote: Interview with Felix Gonzalez-Torres by Robert Storr
See the Felix Gonzalez-Torres Family Archive on Collecteurs
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